The Grand Auditorium Cutaway is the all-rounder of the Lunastra range — a body shape designed to sit comfortably between the projection of a Dreadnought and the focus of a smaller-bodied guitar. Built around a solid spruce top and walnut back and sides, it offers a balanced voice with clear highs, present mids, and enough low-end warmth to sound full without overpowering a mix. The cutaway gives easy access to the upper frets, making it a natural choice for players who move between rhythm and lead within a song. The Natural Satin finish keeps the look clean and understated, with a low-sheen coat that lets the walnut grain show through and gives the guitar a comfortable, close-to-the-wood feel under the hand. Whether it's fingerstyle work, steady strumming, or a mix of both, the Grand Auditorium Cutaway is built to respond evenly across playing styles, making it one of the most versatile guitars in the range. For players who want one guitar that can genuinely do it all, the T10G-NA is a strong place to start.

The T10G-NG E brings the bright, polished voice of the Natural Gloss Grand Auditorium to the stage. A B-Band K4T EQ system delivers natural, well-balanced amplified tone, with onboard EQ control for fast adjustments between songs. Paired with the solid spruce top and walnut back and sides, the pickup is designed to carry the guitar's full voice — not just its top end — through a PA or amp, so the added shimmer and sustain of the gloss finish comes through amplified as much as it does acoustically. The cutaway body keeps the upper frets easily accessible, and the balanced, versatile tone that defines the Grand Auditorium shape holds up whether you're fingerpicking a quiet set or strumming through a full band mix. For players who want a polished look, an all-rounder's voice, and dependable amplified tone in one guitar, the T10G-NG E is built to cover the gig from load-in to last song.

The Lunastra Mini takes everything that makes this range distinctive — the solid spruce top, the walnut back and sides — and puts it into a compact body built for players on the move. It's smaller in the hands and lighter over the shoulder, but the tone doesn't feel scaled down: the spruce top still delivers clear, articulate highs, while the walnut adds a rounded low end that keeps the Mini from ever sounding thin. It's an easy guitar to reach for, whether that's for a quick warm-up, a songwriting session, or throwing in the car for a trip. The Natural Satin finish keeps things understated, with a low-sheen coat that lets the walnut's natural grain show through and gives the guitar a soft, tactile feel under the hand. There's no heavy lacquer sheen here — just an honest, close-to-the-wood finish that ages naturally with play. For anyone who wants a genuinely gig-worthy tone in a body that's easy to live with, the T10S-NA is a natural fit — at home on a porch, in a tour van, or wherever the next song happens to start.

The T10S-NG E takes the bright, polished voice of the Natural Gloss Mini and makes it stage-ready. A B-Band K4T EQ system gives players onboard control to dial in their tone in seconds. Paired with the solid spruce top and walnut back and sides, the pickup system delivers a natural, well-rounded amplified tone that keeps the added sustain and shimmer of the gloss finish intact through a PA or amp. It's a compact, travel-ready guitar that doesn't ask you to leave your sound at home — everything that makes the Mini worth playing acoustically carries through when you plug in. The Natural Gloss finish keeps its bright, classic look, catching the light on stage as much as it does in a living room. For players who want their smallest guitar to also be their most versatile — practice room, writing session, or the stage — the T10S-NG E is built to keep up.